Posted tagged ‘Clash of the Gods’


October 22, 2009


So the “Clash of the Gods” series is now in the books. All ten episodes have aired. Tweets and comments from the blogosphere have been overwhelmingly enthusiastic. Seems the series won over some hard-core fans, which is extremely gratifying to all of us who worked on it.

Since the series premiered, probably its single-most talked about feature has been the special-effects make-up that brought the gods and monsters to such vivid life. Never before has cable TV (or really, even Hollywood) presented such a diverse, imaginative and unique cast of characters. Medusa. Grendel. Hades. The Cyclops. Each character was approached with a fresh eye for what would be most haunting and dramatic. Inspiration was taken from ancient renderings, but wasn’t slave to them. In the end, the make-up team made an enormous difference in the look of the series, and gave it the visual eye candy that really stands out from the TV pack.


Ill Willed Productions ( was the driving force behind the make-up and practical special FX. Tate Steinsiek, Matt Green and their teams worked tirelessly for months on this, and brought an energy and creativity to these characters that really pops on screen. We have our fingers crossed that they’ll get an Emmy nomination for make-up on this. But they really don’t even need one. We’re thrilled to report that IllWilled has just accepted a job on a major Hollywood film starring Al Pacino called, “Mary Mother of Christ”. And, they’ve just released a new monster-shoe line from Keds. So Ill Willed is well on its way, and KPI looks forward to saying “we knew them when.”

Christopher Cassel, Director/Writer
Clash of the Gods


Ice Scrapers vs. the Frost Giant

October 11, 2009

The final episode of season one of CLASH OF THE GODS is THOR.
Monday October 12, 10PM/9c on HISTORY.
Sweden runestone

Hundreds of runestones can be found scattered across the countryside in Scandinavia. Many are memorial stones erected after the death of a family member to honor them, but there are some that are clear depictions of the myths and stories that filled the lives of the Norse centuries ago.
In February I traveled to Sweden with my Director of Photography Bo Randulff, and set out on a cross-country treasure hunt trying to track down a few specific runestones that told the myth of Thor, the Norse God of Thunder. It seems that no one has ever drawn a runestone map of Scandinavia, and there is no handy iPhone app, so we were relying on some long distance research and a little luck to find them. It was like trying to find a needle in a haystack that was covered in snow!
As we arrived in a little clearing in the forest we were pretty sure that we had found the site of the large rock carving we were looking for, but it was nowhere to be seen. It suddenly occurred to us that it was most likely lying under a foot of snow. Armed with only our rental car’s ice and snow scrapers we started digging, much to the amusement of some local kids. Finally we found it, and it was worth the effort.
The evil Frost Giants of the Norse myths are certainly alive and kicking, and I would have loved a helping hand from the brave Thor and his magical hammer in defeating them. But this particular battle was between the Frost Giant’s snow and me, armed only with an ice scraper.
Thor runestone
–Sarah Hodgson
Associate producer, Clash of the Gods


October 2, 2009


Why Middle-earth Matters

October 1, 2009

GandalfIf you’re a history and military buff like me, The Lord of the Rings is a story tailor made for you: two massive armies facing each other on the battlefield about to be locked in combat. Now…just substitute Patton for a wizard in flowing white robes, the Nazis for a hideous race of creatures called Orcs, and Europe for Middle-earth.

Okay, that’s a wee bit simplistic (and not actually accurate…although written in spurts between 1937 and 1952, Tolkien always said that Lord of the Rings should never be read as an allegory for World War II.)

But what is it that has caused The Lord of the Rings to have sold over 150 million copies and to be translated into almost 40 languages? For me, it’s that feeling of real history, which gives Lord of the Rings its life. JRR Tolkien was obsessive about documenting his universe with dates, family trees, maps and indexes….hell, he even threw in a creation story. If it wasn’t for the fact that the characters are elves, dwarves, hobbits and wizards you’d think you were submersed in a history textbook.

So in Clash of the Gods, the goal was to figure out where all this inspiration came from. Much of The Lord of the Rings is about good overcoming evil, and Tolkien’s devout Catholicism provides the backbone. Comparisons of Frodo’s quest to Christ are plainly seen, but I think the most interesting tidbits are the ones found in Beowulf and other Norse myths. Tolkien doesn’t really hide in lifting almost exactly scenes from classic tales. The transformation of Smeagol into the creature Gollum almost exactly mirrors a tale in the Norse Volsunga Saga; and scenes like Bilbo stealing a cup in The Hobbit are directly lifted from Beowulf.
But more than any gods or monsters from ancient myth, I think it’s the personal pain that Tolkien suffered which gives The Lord of the Rings its foothold in reality. As a soldier in World War I, Tolkien was right in the middle of the action, watching friends killed and mutilated right in front of his eyes. When Tolkien writes about the same kind of suffering for Frodo there is a ring of truth that isn’t found in any other kind of fantasy writing.
Ultimately, it doesn’t matter to me that Tolkien stole stuff from tales of the past…that’s pretty what all writers do. But what he did was to make it his own and transform it into something new. A feat which many writers attempt, but few do successfully.

So I’m off to re-read The Lord of the Rings…150 million people can’t be wrong.

– Ted Poole, KPI Writer and Producer



September 28, 2009

Beneath the surface of a frozen lake, armed with a magic sword, Beowulf fights past a supernatural serpent to reach the lair of his most seductive and deadly nemesis of all.

CLASH OF THE GODS: BEOWULF airs Monday September 28 10PM/9c on HISTORY


September 15, 2009

History’s toughest journey….just got tougher. Threatened by a demonic monster (Scylla) and a deadly whirlpool (Charybdis), the greatest hero of all time continues his journey home to his wife and child.

ODYSSEUS: WARRIOR’S REVENGE airs on Monday, September 21 at 10PM/9c on HISTORY.

The Versace logo: Connecting Modern Fashion and Myth

August 31, 2009

by Phedre de Feullide


Greek Mythology is a topic which almost everyone studies in school, and which oddly enough, can be found influencing us in our daily modern lives. Everyone knows that Greece was the birthplace of democracy; basically it is where the American idea of government comes from, and has even influenced our ideas of heroes and villains. Not everyone however, is aware of how prolific Greek mythology is in today’s media. Many companies have taken names or logos which take their meaning from Greek mythology; companies like NIKE, named after the goddess of victory, or the product Ajax, named for a hero of the Trojan war. Gianni Versace’s clothing line has also taken its cue from the past.

The Versace logo shows a representation of the head of Medusa: a woman who was transformed into a monster after offending the gods. She was punished for allowing the god Poseidon to seduce her in the temple of the goddess Aphrodite. Her hair, which had once been her most glorified attribute, was turned into snakes. As the story goes, anyone who looked at her would be turned into stone. Perhaps this is not something which one would usually associate with a major fashion house; something being so ugly that it can turn you into stone. However, Gianni Versace had a fascination with classical art and architecture, and it is with the later, beautiful representations of Medusa that the logo is associated with. During the Roman period, especially, Medusa was depicted as a beautiful woman with wild hair, and a few snakes twined here and there.

Copyright 2005, Phedre de Feuillide. College grad with an Art History/archeology degree with a minor in religion. My other interests are classical lit, old movies, and extreme sports. Reprinted from